Tom Stoddart, 1953-2021

This morning, I’m reeling from the news that the great photographer Tom Stoddart has died.

I had the privilege of making prints for Tom in a previous chapter. I loved our chats and lunches together but we haven’t seen each other for years. I regret that now.

Years ago, I wrote a blog post about the time we met. The website frustratingly succumbed to a sequence of hacks, so I thought I no longer had a record of it.

However, I just did a search on my computer and found — because I’m a belt and braces kinda chap — that I’d saved text files of my blog posts in case of such an eventuality.

So, below these words, I’m pleased to be able to share that 2013 blog post with you particularly as it contains a couple of his anecdotes — treasures indeed.

Right at the end, you’ll see that he said to me:

It’s just so sad that images like this even have to exist.”

It is sad, Tom, but you were the man to make them. Rest in peace, you clever chap.


Tom Stoddart, Colombian Cool

One of the joys of 2013 has been meeting and working with the acclaimed photojournalist, Tom Stoddart.

As his site describes:

“During a long and varied career Tom has witnessed such international events as the war in Lebanon, the fall of the Berlin Wall, the election of President Nelson Mandela, the bloody siege of Sarajevo and the wars against Saddam Hussein in Iraq.”

On meeting for the first time, I couldn’t help but think that the clinical environment of my studio was surely at odds with many of those frightening, desperately upsetting scenes to have passed before Tom’s eyes.

When he calls to let me know that a photograph is on its way for me to print, it’s hard to know exactly what will appear on my monitor — especially when the file is entitled ‘Cool Dude’.

So, what will a photograph by Tom Stoddart be like that’s called ‘Cool Dude’?

Well, it’ll be like this:

A striking image and one with an equally striking story:

COLOMBIA – NOVEMBER 1996:  Cocaine is worth billions of dollars to the Colombian drug traffickers. More than 70,000 people have died in the cartel wars, and Colombia’s elite Special Forces have battled hard to stem the flow of drugs from the jungle region of Guaviare which covers an area of 26,000 sq miles and produces more than half the world’s cocaine.  The photograph shows Special Forces after blowing up a landing strip used by cartels to transport cocaine from a coca-processing lab in the heart of the Colombian jungle.

Tom candidly told me about another facet to this photograph:

Having flown in by helicopter, a 4×4 vehicle belonging to the cartel was found nestled in the bushes. Unusually, the Special Forces decided to try and drive it back to the Police station some 100km away.

So, Tom now had the choice of returning by car or helicopter.

He chose the latter, which was fortunate as the 4×4 was ambushed en route. One of the Special Forces’ men was killed, the others were wounded but survived.


Tom has kindly given me a copy of his stunning book, iWITNESS.

Published by Trolley, printed in Italy and with a foreword by Sir Bob Geldof, it’s a beautifully produced tome full of anguish, sadness, desperation, horror, hope and optimism.

As Tom said when he handed it to me, “It’s just so sad that images like this even have to exist.”

Shipshape

Happy New Year, one and all! I trust that you’ve had a peaceful and enjoyable festive break?

At the start of 2015, after a long time in the planning, I find myself at a crux in my life: In just 10 days, I start The Lifeboat Station Project.

I’m excited and terrified in equal measures…

The Lifeboat Station Project

As many of you will already know, particularly those who follow my Instagram feed, The Lifeboat Station Project has been a fair while in the thinking and planning.

The main reason, you see, is that my mission ahead is not as straight forward as it could be.

The Lifeboat Station Project by Jack Lowe

In the modern era, I could quite easily have grabbed a digital camera, captured the images on a cluster of memory cards and then sat in front of a computer for weeks prettying them all up.

However, you’ll also know by now that I’m not making this extraordinary body of work like that at all. I’m making the photographs on 10×12″ glass, just as the Victorians used to.

So, I’ve had to take great care in many ways — from liaising with the RNLI to ensure that they’re happy to receive Neena at every station to working out methods of safely transporting so much glass whilst on…

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On the Telly

There’s excitement afoot but more on that later in the month.

In the meantime, whet your appetite with this short clip broadcast last night by the BBC Look North team. You’ll also discover why I made the Tintypes below…

Jack Lowe on the BBC

Click to see a short film on the BBC describing the beginnings of a new project…

Half Plate Tintype by Jack Lowe, wet plate collodion

BBC Look North reporter, Andrew Hartley, on a sunny day in Craster (Half Plate Tintype)

Half Plate Tintype by Jack Lowe, wet plate collodion

Tintype Selfie, lens cap opened for five elephants by assistant Robert (Half Plate Tintype)

My New Ambulance

It’s been a curve-curve ball of a week…

A while back you may remember that I was inspired by the work and adventures of Ian Ruhter who makes huge Tintypes in The States using his old blue van as a giant camera — a van he affectionately calls The Time Machine.

If you haven’t seen his now-famous Silver & Light video, I’ll include it at the bottom of this post for you. Watch it. You’ll love it.

At the beginning of my own journey in wet plate collodion, I’ve been fantasising about the kind of vehicle I might own one day to use as a mobile darkroom. So, I’ve been keeping a weather eye focussed on eBay to get an idea of what’s out there for when the time comes.

As you might imagine, there’s a plethora of weird and wonderful machines available. Two weeks ago, a decommissioned NHS ambulance came up for sale and I knew instantly that it would be perfect but, in all honesty, the timing felt too soon.

Mournfully, I watched it slip away — sold to some lucky buyer who I now envied…

Envy isn’t a pleasant emotion, so I quickly expelled the memory from my consciousness and endeavoured to move on. I managed that until eBay sent me a tantalising email stating:

“An item you were watching has been relisted.”

Shucks. Now it felt like destiny. The urge was strong to see if I could possibly bring this wondrous vehicle into my life. And thus, to cut a long story short and after a marathon return trip to Cheltenham yesterday, it became so.

This vehicle — shortly to be my wet plate collodion darkroom — is simply incredible. A ready-made lab on wheels. It’s built solidly, crammed with loads of  gadgets and has effortlessly awakened childhood memories (mainly involving Lego, toy cars and Ghostbusters).

The previous owners named it Neena — get it?

Anyway, I can’t wait for the adventures that lie ahead. Here it is — my new ambulance:

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion DarkroomJack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

Jack Lowe's Ambulance / Wet Plate Collodion Darkroom

As promised, Ian Ruhter’s Silver & Light:

Kielder Moon Shines at BALTIC 39

On 9th December 2013 I made Kielder Moon, as it happened, on the very day that Kielder Observatory was awarded Dark Sky Status.

There’s another event that coincides with the release of this image — NASA celebrating its 45th anniversary of the 1969 lunar landing.

In recognition of this milestone and to acknowledge the moon’s place in our imaginations and culture, BALTIC 39 is currently staging ‘They Used to Call it the Moon‘, a beautiful exhibition dedicated to our nearest ball of rock, exploring the enduring presence of the moon and the rich iconography of space on the popular imagination of artists.

I was — ahem — over the moon when BALTIC invited me to include my recent creation in the exhibition. I’m very happy to announce that you can now buy numbered, signed and embossed prints directly from BALTIC Shop as well as from my New Prints page…

Kielder Moon, Kielder Observatory, the moon, astronomy, astrophotography, BALTIC Centre for Contemporary Art

‘Kielder Moon’ currently showing in ‘They Used to Call it the Moon’ at BALTIC 39

Kielder Moon, Kielder Observatory, the moon, astronomy, astrophotography, BALTIC Centre for Contemporary Art

Preparing prints for BALTIC Shop…

The Moon, Kielder Observatory, Northumberland National Park

Kielder Moon

Kielder Moon, Kielder Observatory, the moon, astronomy, astrophotography, BALTIC Centre for Contemporary Art

‘They Used to Call it the Moon’ / List of Works